Whiskers in the Chamber

Taey Iohe
A landscape image of moss-covered tree branches taken up close. Some branches coming so close to the camera they blur out of focus. Each branch is covered in layers of cracked bark and lichen in shades of yellow and green with the space between them filled by a wispy pale green moss called usnea (witch’s whiskers) that wraps around the branches and drapes away into low hanging clusters.

I am not one but many

dust

fungus

alga

salt

and breath

a woven linen coat with no closure
a crooked bond no storm can uproot

dúirt bean liom go ndúirt bean léi
a woman told me that a woman told her —
stories never written on paper
stories carried mouth to mouth
and who decides what makes a story true?

our threads are older than ireland
older than any conquest
older than any borders
older than the stone houses braced against the wind

seamus says: we are bombarded by the empty air
but we know the air is never empty
it carries lives, whispers, grief —
the soiled breath of sickness and cure

we read it like braille across our skin
to you it is ‘a huge nothing’; to us it is archive

we grow where trees are sick
we taste polluted air in the weakened wind
ash branches silvered like a grandmother’s hair

we do not cure — we companion
our crip bodies absorb
wounds the way limestone drinks rain
illness is not ending, it is an oracle

we are not one but many

shell

ink

tears

tooth

bile

sieve

and witness

decline and survival share the same root system

A landscape image of a deep rich mahogany door to the right side set in a white marble wall decorated with pale linen wallpaper in the Senate Chamber at Stormont Estate, East Belfast. The far left of the image falls away into darkness from a sliver of red curtain. Overlaid on the image in the lower left corner is an interjecting cloud of rock moss in deep green and lichen flecked greys from Greencastle, Donegal.

step into the senate chamber at stormont:
irish linen dyed pink, australian walnut benches,
a speaker’s chair hewn from south african wood

colonial botany and empire’s mahogany parade
as ornament

the elk and the lion stare down from botticino marble
guardians of a crumbling unity
here, even air is adversarial
strafing invisibly between divided walls

yet we are here too
in fissures and damp corners
we soften stone, weather time
feed the soil and come from the compost
with our slow retting

A landscape image of rubbed and worn Irish damask pink linen photographed up close in the Senate Chamber at Stormont Estate, East Belfast. The linen has an intricate regal and floral pattern woven into it. Overlaid onto the photograph in the lower right corner is an interjecting scientific microscopic image of a chronic, inflammatory, non-contagious, lichen-like skin condition in a pale blue hue.

eco-crip time is not state time
it is not the good friday clock, nor quarterly reports

it is earth time, lichen time:
a refusal of speed
a refusal of temporal cure
a stubborn insistence on survival
through entanglement

we know that solidarity must be porous
let us circulate, die down in the season
but come back
when trees are older and sun is rare

no body is an island
no parliament stands alone
we are a network of care and of contamination

A landscape image of a cross-sectioned tree photographed close-up, showing its rings. The surface of the tree trunk is a very pale brown and the rings a darker looping brown. Overlaid on the image on the left side is a fuzzy image of usnea (witch’s whiskers) a pale green fibrous moss shown close-up.

millions of witches’ whiskers

reading the air
prophesying the storm
laying the shield for inflammation
better than penicillin

lichen people know
how to partner with algae, how two or three together
thrive where neither could alone
we taste, listen and soothsay —

we write no treaty, we weave no flag
only a breathing manuscript on stone
call us common weed
soft and unkillable

we do not end, we weather
we do not conquer, we cling

we answer in lichened tongues
that every wound is also a seam
every crack

a place for kinship to root

A landscape image of a section of thick warped tree branch photographed in detail, covered with light green moss, algae, lichen, grey fluffy bird feathers and cracked bark. There are a blur of bare winter tree branches in the background with a grey sky in the distance. Overlaid in the lower left corner is an image of a white shell with black growth rings emanating from its tip.

‘Whiskers in the Chamber' was co-commissioned by CCA Derry-Londonderry as part of Taey Iohe's tenure as a CCA Research Associate. CCA is supported by the National Lottery through the Arts Council of Northern Ireland, Derry City & Strabane District Council and Garfield Weston Foundation.

Taey Iohe

Taey Iohe is a transdisciplinary artist, writer and listener, born near the Han River, and now based near the River Lea and Ching.

Rooted in collective care, humility, and ecological belonging, Taey’s practice embraces an eco-crip perspective across varied media, including soundscapes, language, moving images, and social/collective engagement. Their work explores what ‘leaks’ from the meta-narratives of our body and planet—perceiving leakage both as a sign of pain and as a potential path to healing.

Taey is a research associate at CCA Derry~Londonderry and a Making Time Resident at Artangel. They teach Fine Art at Chelsea College of Arts as a lecturer, and Art & Ecology at Goldsmiths College as a visiting tutor.